Writing Starters Instalment #4

Still looking for some NaNoWriMo inspiration. Here are 5 more writing starters to get you creating.

16. Head to your local bookstore or library with a friend and your writing journal. Take 2 envelopes and lots of small pieces of paper. For 5 minutes wander the store and write random novel titles on the small pieces of paper and put them in your envelopes. At the end of 5 minutes, exchange envelopes. Dip in and pull out a title and brainstorm a story that would go with those words. Maybe you could use the words as a line of dialogue to begin your story or in the opening sentence. Keep playing until one story starts to claim your full attention. Start writing.

17. Begin your story with your character in motion—driving, running, flying, riding. What is your character running from? What is your character running to?

18. You’re walking home with a friend after dark.  When you look at her, her eyes reflect light like a cat’s.

19. Your character loses a backpack/ purse/briefcase containing one thing that his or her future depends upon.

20. Free write around one or all of the following words: box, watch, garden, window, ship

“The difference between the right word and the almost right word is the difference between lightening and the lightening bug.”  Mark Twain. 

Writing Starters Instalment #3

Here’s the next instalment for NaNoWriMo plotters. Have fun!

11. Play with the word “needle.” How many different needles can you visualize? Put one or two of them in your character’s hands or just out of reach and see what happens—someone away from home for the first time sewing on a button, fearing a dentist’s needle, needles clacking while heads roll… Or have your character needled or needle someone else.

12. “I never start a novel until I’m satisfied with the title.”  Ed McBain.  Work on your title until it’s right.  It’s the cup you are working to fill.

13. Look at your favourite CD cover.  Hide everything but 1 square inch.  What do you see?

14. Write an opening sentence in which something or someone falls.  What happens when they get up–or don’t!

15. Turn off everything and try writing in silence or change your background sounds.  Try jazz, blues, Benedictine monks, Mozart.

 “When you are telling the story you are meant to tell, you are actually going to feel the truth of it, and in feeling that truth, your spirit is going to soar.  When you are telling that story the way it needs to be told…you are going to feel that, too.”  Elizabeth George. 

Writing Starters Instalment #2

More ideas for NaNoWriMo writers and other creative folk.

6. Think of the skills you have: putting up a tent, downhill skiing, solving crosswords, cooking. Add these skills and interests to your characters or make learning them essential for your main character’s survival.

7. Think of the places that you know well: a neighbourhood, a city, a school, a cruise ship, a gym, a museum, a library. Now imagine them as places where your characters can fall in love or be shocked or frightened in. They can be places where a murder takes place or where people reveal secrets.

8. Decide what frightens your characters or grosses them out. Make sure this appears in your story somewhere (think Indiana Jones and the snakes).

9. What does your character value the most? Is it an object like a ring or a photograph? Or is it a reputation for honesty or an influential position or the chance to find true love? How can you put what your character values most at serious risk in your story?

10. Elmore Leonard said, “I once named a character Frank Matisse, but he acted older than his age; and for some reason he wouldn’t talk as much as I wanted him to.  I changed his name to Jack Delany and couldn’t shut him up.”  Try renaming one of your characters and see what happens.

“Nighttime is really the best time to work.  All the ideas are there to be yours because everyone else is asleep.”  Jessamyn West. 

Writing Starters Instalment #1

Here are the first 5 writing starters for the week.

 1. Find a place where you can do some serious people-watching. Pick three strangers and, one by one, imagine them saying good-bye. Decide what they are saying good-bye to–their homeland, their family, a lover, a job, a threat. What has happened to bring them to this moment? What lies ahead of them? Is the good-bye the beginning of their story or the end?

 2. Draw a map. It could be of a country, a city, an island, a kingdom, a space station. Add lots of details and place names. Now send your characters on a journey through the imaginary world you have just created, making sure that they get into lots of trouble along the way.

 3. Start with the sound of sirens. How does that sound affect you? What do you imagine has happened? Where has it happened? Who is affected?

 4. Have your character find or receive something small enough to be held in two hands. Now create a story around that small thing that turns your character’s life upside down. Think of Bilbo and a ring, Arthur and a sword, Snow White and an apple.

 5. Free write using one or all of the following words: sage, match, corner, light, border.

“What is written without effort is in general read without pleasure.”  Samuel Johnson

Losing the Pattern

Sweater-No-Longer-In-Progress
Sweater-No-Longer-In-Progress

I have looked everywhere for the pattern for my partially completed cardigan. The only thing I can think of is that I laid it on top of the newspapers on the kitchen table and it got scooped up in the recycling. Can I remember what magazine it was in? No. Have I looked everywhere? Yup, pretty sure–darnit.

 Now what do I do?

I had just about reached the decreases for the neck and sleeve shaping on the left front. Now, I have to figure out what I did with the right front and reverse it.  The decreases are very difficult to see in the pattern, and, of course, I will have to invent a sleeve pattern, too, to finish the piece.

Is it possible for me to do all this? Yes, probably, if I had lots of time and patience and was willing to slog through a lot of trial and error to get it right. And I’m sooooo not in the mood to go there. The yarn is lovely to work with and I want to get back to the feel of it slipping through my fingers and making its unique colour pattern as it grows.

Solution? Tear it down. Frog it. Find another knitting pattern (and make several photocopies of it!) and start again.

Has this ever happened in my writing? Definitely! I have lost the pattern there, too. Or rather I’ve found that the pattern I was following was the wrong one. Sometimes I’ve realized that I’m writing in the wrong voice. I change third-person to first and suddenly the story takes on a new life. My main character gets a little cheekier, takes more risks, and has more fun— and so do I. Sometimes, the plot lands in a bog where it threatens to sink into complete inaction. In that case, I need to drag my characters back to the crossroads and point them down a different road.

Today, I’ll be winding balls of yarn and looking for a new knitting pattern. Tomorrow, I’m going to go back to my young adult work-in-progress and get my character into a lot more trouble than she was expecting. And I’m going to enjoy doing both!

A Pattern of Trust

If anything requires trust, it’s turning the heel on a sock. No matter how many times I read the instructions, I can’t visualize that what my needles are doing will actually become a heel. But I follow the pattern and keep on knitting and inevitably a heel is what I get.  

 A while ago, a friend asked me for help when she was knitting the sleeve of a baby sweater. Starting at the cuff, the first 6 rows were supposed to produce a picot edge. She and I looked at the pattern and couldn’t imagine how it could possibly work out to look like the photo in the book.  We decided to trust the pattern and see what happened.

 After 6 rows all she had was a neat row of holes nestled in between some tidy rows of stocking stitch. And then the light dawned. We folded the piece along the row of holes and the picot edge magically appeared. If she hadn’t trusted the pattern, she wouldn’t have made that pretty picot trim.

 Turning a HeelIs trust a part of writing, too? I think so. But it’s bigger than trusting the pattern. In writing, I have to trust myself.  A far riskier and challenging proposition. I have to believe in myself as a writer and trust that I can choose the right words to tell the story I want to tell.

 If I make a mistake in a knitting project, I don’t stop knitting or suddenly decide I’m not a knitter. So, when the rejections come in, how can I stop believing I’m a writer? So, I’m going to keep on writing, following my own pattern, and most important—keep on trusting.

 And now, back to my needles.    

 Photo published under Creative Commons licence http://www.flickr.com/photos/klippity/

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