planning writing

Writing Links: From Outlines to Submissions to Cursive Writing

A Shoreline View
A Shoreline View

I’ve found some interesting links in the past few days that I want to pass along.

The first is a blog by one of my favourite writers/bloggers Elizabeth S. Craig. In her post, “Chalk One Up for Outlining,” Craig explains that she is not an outliner by nature. “I despise outlining and I hate following outlines.” If you feel the same way, you might like to read how she found a way to make it work for her.

I loved Darcy Pattison’s blog post, “6 Ways Out of Writing Slump.” I could really identify with her reasons for letting writing fiction slide, and I could also see how her suggestions could make a difference.

If you’re getting a project ready to submit to a publisher, read about what seven agents say can stop editors and agents reading: “Seven Agents Talk About the Most Common Submission Mistakes.” Their comments cover the synopsis, the query and your first pages.

Finally if you love writing in journals or with pen/pencil and paper, you might be interested in this opinion piece by Andrew Coyne that was written in response to a report about the lack of teaching of cursive writing in school. “Words on paper – how we write affects what we write.” 

I’d love to hear your feedback on any of these links. Who do you follow for great writing advice?

On Reading William Zinsser – Part 2

“Trust your material if it’s taking you into terrain you didn’t intend to enter but where the vibrations are good. Adjust your style accordingly and proceed to whatever destination you reach. Don’t become the prisoner of a preconceived plan. Writing is no respecter of blueprints.”  On Writing Well, p. 52

 Zinsser writes these words in Chapter 8 encouraging journalists and non-fiction writers to let their material lead them in an “unexpected direction” and not to “fight such a current if it feels right.” But, I think the words apply equally as well to novelists and short story writers.

 Even in my not-particularly-vast experience, I know that what I have planned for my characters isn’t always what happens to them. I learn something new about them as they and the story grow, and that “something new” takes them and the story in a new direction. In one WIP, I changed the voice part way through. I had started in third person limited, but my character was so strong that he got tired of being a “he” and decided to become an “I.” Free to talk in his own voice directly to the reader, he blossomed into an even more lively, funny and spunky character.  I would have missed all the fun if I hadn’t let him take over.

 The intimidating part was going back to the beginning of the book to see if it would work with the material I’d already written. I had polished those first pages so many times I practically had them memorized. Now, I was going to throw all those finely tuned words and take a risk with a new voice. A scary experiment, but it worked. The opening is faster, cleaner, funnier and tells a better story.

 Have you ever amended, erased, thrown out your blueprint? What happened? How did you feel about the result?

 

On Reading William Zinsser

Photo by Jamie Anderson published under Creative Commons License

I’m not doing any joywriting at all at the moment– and I’ll spare you the whine about that situation—so instead I’ll share with you what I’m reading.

On the weekend I began the 30th anniversary edition of William Zinsser’s On Writing Well. I generally fly through reading material, but this book requires a different speed. Like good chocolate, its contents are rich and meant to be savoured.

Twenty years ago I read an earlier edition of this book, when Zinsser still referred to typewriters and the personal pronoun of choice was always “he.”  I’m a considerably older and more experienced writer and teacher now, and I’m sorry I stayed away so long. I’m only 36 pages in and already I’m underlining sentences and marking pages with sticky notes. I’m also doing a lot of head nodding and muttering things like “soooo right!” and “sooooo true!” and “exactly!” and enjoying every reading moment.

On page 9, Zinsser writes, “Remember this in moments of despair. If you find that writing is hard, it’s because it is hard.”

I nodded my head at that one, too. He just nailed one reason (and yeah, there are others) why I haven’t done any joywriting lately. I’m quitting before I start. After writing three novels and another few halves, I know how hard the work really is, and there’s a part of me that I can actually hear groan at the thought of going down that road again. Yup. I’m a wuss. But at least I know I’m a wuss.

My sister-in-law’s favourite expression at these moments is: “Suck it up, buttercup!” Well, I’m no buttercup, but I like to call myself a writer, so I’m giving myself two weeks to get my act in gear, carve out some writing time and earn the name “writer.” In the meantime, I’ll keep you posted on my reading of On Writing Well–and hope that, in the meantime, you too are “writing well.”

Photo “Buttercups along the old CN tracks in Kitsilano” from: http://www.flickr.com/photos/jamieanderson/2568278918/ published under a Creative Commons license

Do What I Love Month

Okay. I thought I had a plot. I thought I had characters. And then I woke up this morning and realized that I really didn’t want to spend a month with this story.

So.

I’m starting again.

If there’s one thing I’ve learned as a writer, it’s to forgive myself when things don’t turn out the way they planned. Sometimes stories just fizzle and that’s okay. Sometimes you find yourself going in a different direction than planned, and that can be okay, too. Today I’m off in a different direction, and whatever happens, I’ve decided that my goal is to enjoy my month of  writing with whatever characters and plot are ready to go on Monday. I mean, how often do the words “a month of writing” occur in my life. If I don’t enjoy it, I’m missing the point of NaNoWriMo, and more important, I’m missing the point of being a writer. Writing is all wrapped up in the “do what you love” part of my life that often gets overrun by the “do what you must”, “do what others need”, “do what– write your own version here.” 

So, onward into a new plot with new people. The countdown begins. “Do what I love” month starts Monday

Characters and Enough of a Plot

Some characters dropped by two weeks ago with a bit of snappy dialogue and a dim idea for a story, and I thought, “Yes! I’m on my way!”  Then they took a hiatus while schoolwork and life got attended to. In that time, they lost a lot of their lustre and I wondered if they weren’t just a cute premise and not a real story.  Today, I invited them back for a visit and did my best to find out more about them and to see if I could find a way to brighten up that “dim idea.” I mean, in order to meet my NaNoWriMo goal, I need to complicate their lives sufficiently to sustain me and the story through 50,000 words of  beginning, middle and end.

I can honestly say now that these characters and their story have possibilities. I only have a name for one of them right now, and of course, that may change as I learn more about her and see her in action. But I have something to work with right now. My next step is to get names for all the other main characters, so I can listen to them talk and see what they have to tell me between now and November 1st. If people are going to be carrying on conversations in my brain for several weeks, they definitely need names. I’m going online to check out baby name sites and see what I can find.

And I’m going to practise typing the name a few dozen times, too, before I settle on it. I had a character named Philip in a romance novel, and I got extremely tired of typing that particular combination of letters. I guess because they mostly used only three fingers of my right hand and typing Philip seemed just plain awkward. He was the villain in the first novel I wrote, and I decided to reform him and make him a hero in a second book. I changed his name to Simon–still mostly a “right-hand” name, but my little finger was out of the action and I was much happier. Hence the typing practice.

Do your characters  just introduce themselves–first, middle, last name complete? Or are they X and Y until you find just the right name for them? Have you ever changed a character’s name part way through or after you’ve written a story or novel? Do you have a favourite name that you’re just waiting to find a story for? Have people left such strong negative impressions with you that you would never use their name in a story–unless, of course, they were perfectly horrible characters?  How do you find the names for your characters?

Getting Ready for NaNoWriMo

 Yes, I have signed up for NaNoWriMo again this year and am looking forward to a whole month of writing and creating. Last year I managed around 23,000 words before another book took over and I abandoned my nightly creative free-for-all in favour of “purposeful” writing. Though I didn’t win NaNo, I did finish the book and had it published this spring. So, for me, a win.

This year, I have no books burning to be written, in fact, I don’t even have an idea for a story. I’m not an especially good “pantser,” so I’ll be spending the rest of October looking for characters, a setting, and 50,000-words-worth of conflict. When it comes to plotting, taking a look at the Hero’s Journey is definitely on my to-do list. I wrote a blog about it last year during the run-up to NaNo.

If you’re stuck for a story idea, too, I’ve been posting a series of writing prompts at http://wrightingwords.wordpress.com/writing-starters/  for other NaNo writers and anyone else who needs a creative boost.

What are you doing to get ready for NaNoWriMo? Are you a pantser or are you going to have a detailed plan for your novel before you begin? If you have any tips for success or sites to recommend to others taking on the challenge, please share.

If you sign up for NaNo and are looking for a writing buddy, I’m “wrightwriter” and I’d love the company.

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